Film: Sathuranga Vettai
Starring: Natraja Subramaniam, Ishara Nair
Director: H. Vinoth
Producer: Manobala
Banner: Picture House, SR Cinema
Music: Sean Roldan
Starring: Natraja Subramaniam, Ishara Nair
Director: H. Vinoth
Producer: Manobala
Banner: Picture House, SR Cinema
Music: Sean Roldan
The reason newcomer Vinoth's "Sathuranga
Vettai" is an almost flawless film in the genre is because it succeeds
in managing to con the audiences as well, more than once. Revolving
around six episodes based on true incidents, the film reminds us of the
times we've got conned in real life. It's not a film about people who
con but one about those who get conned, why they get conned and how they
get conned.
In one of the scenes, the hero tells the
police (while being interrogated) that people come to him to get conned
and he only makes use of the opportunity, cashes in on their weakness
and he's extremely right about it. When he woos customers in a gold
scam, you realize that he only made use of their weakness.
Who doesn't like gold at a discounted
price? He cashes in on this weakness, fools people into believing that a
certain jeweller is offering gold at a flat 50 percent discount and
swindles the money collected from it.
In another scene, he says that to
successfully con, one ought to lie with some percentage of truth in it.
This explains why he's named 'Gandhi' Babu (since he's named after
Mahatma Gandhi, and the world expects him to be truthful). At this
juncture, you're reminded that the hero is no different from those with
similar names in real life. The director's intention was to bring to our
notice similar characters in real lives such as the high profile people
who con on a very different level.
Each con episode is funnier than the
previous one. From how a company (MLM - stands for Multi Level
Marketing, indirectly points at products that are sold by Amway) sells
tap water as mineral water that can cure cancer, to the gold scam - each
minute leaves you rolling with laughter. It is backed by equally funny
and powerful dialogues that add a lot of weight to the film.
The film is good but lacks consistency,
especially in the second half. There are moments that are extremely
brilliant as well as dumb. Since it is promoted as an Indianised con
film, it is forced to take the path of commercial cinema. If it had
stayed loyal to its genre, unarguably, it would've been a cult film,
next to "Soodhu Kavvum". The romance in "Sathuranga Vettai" is cliched
and extremely melodramatic, which makes the story seem very predictable.
Thankfully, the lead performances keep
us hooked. Cinematographer-actor Natraj's effortless performance as a
conman is far better than many leading heroes of Tamil filmdom. When he
delivers a two-minute dialogue with ease and confidence towards the end,
you're dazzled by his talent. While he may not be cut out for romance
(which is evident in the film), he's unmatchable when it comes to being
comical even in a serious role.
Newcomer Vinoth is here for the long
haul. Some of his dialogues when dissected have extremely strong
references to several burning issues in the country. He has also managed
to extract some fine acting from a bunch of newcomers and relatively
new actors.
The music and score by Sean Roldan will
register deep within. His pick of instruments to differentiate the
timeline of the story stands out, while cinematographer K.G. Venkatesh
fittingly captures the mood of the film through his lens.

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